Chapter2_Dien
This week’s
chapter reading is really interesting to me, mostly regarding the two character
lines: “Protagonist and antagonist”. I always think that a movie would always
have the protagonist as the “goodies” and the antagonists as the “baddies,” but
this chapter changed my mind. Furthermore, the way the filmmaker builds the
protagonist decides how successful that film is when it is released, since the
protagonist is the character the audience most relates to, no matter which role
(good or bad) they play. One more thing that I find intriguing is the three-act
structure of a typical movie. I would say the three-act structure of a movie is
somewhat like a structure of an essay, so it would have the opening (first
act), the body (second act), and the closing (third act). Each act is important
as it serves its irreplaceable role in the movie, so the filmmakers shouldn’t
ignore any act.
https://www.studiobinder.com/blog/three-act-structure/?utm_source=chatgpt.com
This article defines the three-act structure as the classic storytelling model—dividing a narrative into three parts: Act One (Setup), Act Two (Confrontation), and Act Three (Resolution).
Labels: Dien Hoang
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